St. Margaret's House, 26 April 2024 – Thursday, 2 May 2024
Lost Art Of a Little Earthling
An Exhibition Documenting Fictional Lost History

Zoey Chang, 12/March/2025

Exhibition Dates: 26 April 2024 – Thursday, 2 May 2024
Exhibition Location: Chapel of St. Margaret's House

Curators: Christine Chua, Zoey Chang (Muddy Mudlarks and Art In Art Ltd)
Exhibited Artist List: Camilla Brendon, Henrietta MacPhee, Jaime Eastwood, Zachary Talbot, Bill Redshaw, Ben Coleman, Archie Rogers, Zoey Chang, Kejian Sun, Naja Surattee, Henyk Terpilowski, Luying Dong, Raffi Williamson, Ekaterina Adelskaya, Sophie Meyer, Christine Chua, Katie Mess, Ellis Warren, Zoë Whatley, Laura Furner, Freya Clayton-Harding, Wenyi Shi, Olivia Pelham, Jenny Seabrook, Olivia Mardon.

Performance Line Up:
Girdle by Freya Clayton-Harding from 7: 15pm
Improvised Jass by Tina& Mario from 7: 30pm
Venue
St. Margaret's House is a charity organisation located in Bethnal Green, east London. Established in 1889, having a long history of serving the local community through a variety of different chapters. The chapel and the surrounding buildings were originally women only shared apartments, the chapel was the residents' private facility.
https://www.stmargaretshouse.org.uk/
A Fragmented Memory
by Jenny Seabrook

Other Worlds 4
by Ekaterina Adelskaya
post exhibition yaps by 1/2 of the curation team
There was a certain magical quality to the show opening, the live jazz performance by our friends, accompanying works that imagined alternative realities.

Witches and wizards we are, of clay and mud. We arise from the ground.

Life isnt all about the things we see, it is sometimes about the things hidden in plain slight, hidden in the thames river, hidden in our imagination, or in our back gardens.

Everything have a history, and that's why mudlarking could be such a culturally critical activity, there are plenty of exhibitions and organisations focusing on the historical values of lost objects found in the rivers, and this exhibition expands from the concept, by making up our own interpretation of the objects we found on the way to where we're going, because it needn't be all that serious and logical when it comes to art, innit.
Coral Relations
by Oli Mardon
Contact Details
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